Eye See You (aka D-Tox) (2002) d. Jim Gillespie (USA) (96 min)
After a serial cop-killer racks up nine victims with no leads in sight, the Feds assign Jake Malloy (Sylvester Stallone) to the case, not knowing the agent is the real target for torment. Seems our intrepid lawman fouled up the psycho’s intricate masterpiece of murder involving prostitutes a few years back and vengeance is now on the menu, first in the form of Red (James Kidnie), his best buddy in blue and then Mary (Dina Meyer), his lovely fiancee. Distraught and suicidally alcoholic, Malloy is encouraged by his superior (Charles S. Dutton) to visit a specialized detox center in remote and snowy Wyoming, where he joins an array of similarly addicted keepers of the peace of every stripe… who immediately start getting bumped off by our supposedly dead killer.
Despite stalling Gillespie’s (I Know What You Did Last Summer) once-promising career, Eye See You is not a complete disaster. It is, however, an uninspired retread of a dozen superior films in which a group of individuals are trapped by a snowstorm with no means of contacting or reaching the outside world, one that commits the mortal sin of underutilizing an extremely capable cast by merely having them snort testosterone at one another and then falling under the killer’s blade one by one.
Honestly, folks, you don’t hire Courtney B. Vance, Jeffrey Wright, Robert Patrick, Robert Prosky, Tom Berenger, Stephen Lang, Sean Patrick Flannery, and Kris Kristofferson and then just use them as cannon fodder. I’ve not read Howard Swindle’s source novel, Jitter Joint, but Ron Brinkerhoff’s debut screenwriting effort offers no one the chance to flesh out a three-dimensional character. Instead, it’s a collection of eccentricities and tics assuming human shapes that might as well have numbers printed on their backs depicting their order of demise.
Except Stallone, that is. While I often find myself defending the star’s thesping abilities (given the right projects and directors), he’s completely at sea here, rendering clunky scenes of trauma and tamping down his natural alpha-dog tendencies until the final reel. Sly’s vulnerability is one of his great appeals as an action star, but here he just mopes around trying to look emotionally broken when he’s clearly not.
For a horror film, there’s not a lot of overt gore on display; like Se7en, its most obvious influence, the grisliest images are presented after the fact (the most dramatic example being a police baton found shoved down a strung-up victim’s throat). There are a few enjoyably creative kills (power drills through peepholes, slashed jugulars), but for the most part it’s by-the-numbers “who’s the killer” material with suspects aplenty, identity-obscuring camera angles, and red herrings galore.
There’s likely a drinking game to be had in listing other fright flicks Eye See You reminds you of and that you’d rather be watching. In the final analysis, it’s an inoffensive popcorn burner with a big-budget supporting cast, of interest to Stallone completists (guilty as charged) and not many others.
BONUS FEATURES:
Unreleased Director's Cut (94 min, Standard Definition)
Deleted Scenes (13 min)
Cast/Crew Interviews (19 min)
Photo Gallery
Theatrical Trailer
Eye See You is available now on Blu-ray and DVD from MVD Entertainment Group and can be found on a variety of platforms.
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